Wednesday, January 12, 2011
543. Uh-oh, Vic's Brain Dumping::: Philosophisizing on My Return to Blogging, Autonomous and On Leave of Absence
It is also funny though, in these last few months of leave of absence, I have been approached by five or so people in my social sphere, and they were all wondering how I was because I was no longer writing any blogs. They encouraged me to continue writing, and they very much enjoyed my entries (strange! I know I am Victoria Anonymous, someone out in the world of 7 billion people wanting to read my blog! Ha ha ha). Perhaps my writing blogs is being enjoyed by friends and family who equally enjoy my *live* company--oh, there's that girl who endlessly rambles on about funny things, all the way from photographic composition to fisheries adventures to the California state budget to school committee drama to her dental work to the strange dream she had last night to the next cartoon she wants to draw. One way or another, I feel thankful that these individuals approached me and stated that they appreciated my blogs, and hope that I resume my "streams of consciousness." (I just learned a few days ago that "stream of consciousness" types of writing are actually acceptable in the literary world--consider Ulysses and The Invisible Man and even kind of All the Pretty Horses [at least the setting descriptions)]. I suppose this whole return to blogging is a re-focusing process, as well as a confidence problem... or also an artistic dilemma.
The more and more I have learned about the cartoon world and comics industry, the more I have come to realize that the sole expression of the Self through words placed in a linear-line-by-line format on a page, page after page after page... is very limited. Everyone uses words all the time, and so the combination of words placed line by line on a page now apppears to me to be equally cliche. I am starting to no longer view language, solely written stories, as art forms, but merely text messages or emails that anyone can write to anyone else (I told my advisor Oran that in this world where everyone text messages, from 5-year-olds to 80-year-olds, anyone on the street thinks they can become the next great writer... so I myself have given up on the idea of being a "writer" or one morally and financially supported by society, because practically everyone now is in the "competition pool" for this position (and the competition pool is so fierce that even people PAY literary agents to read their writing or pitch a story for merely a few minutes! And how could a literary agent have any sense of authority or command of such a spectrum of fields related to the environment?! I am in serious doubt of the sense of authority and expertism that literary agents portray, given their position of power in determining who becomes the "next great writer" and who doesn't), and plus when someone says they are a "writer" I laugh and say, "You just told me that you let your mind breathe; I would be disturbed if you didn't write otherwise").
I am starting to realize that the more combinatory the story becomes--e.g. combining words with pictures with music, etc, in which these elements occur in simultaneity, the more original, the more unique the artistic piece can become. And also, increasing combinations in complex simultaneity can eliminate a vast majority of the "writers" and now the pool of "talented multi-media storytellers" is actually, very small. So now, I no longer consider my written language as an attempt toward art, but merely a form of self-therapy, behavioral therapy, so that I can help understand myself, my thoughts... so that I can engage in stream of consciouness... and perhaps I can communicate a few ideas to a known group of trusted people out in the world. But writing now is psychological therapy toward self understanding. My most favoritist creative writing professor, Barry Spacks, would disagree with me--he tends to perceive writing as an art form, and so he will always perceive my work as art form though I perceive it as therapy. The reason why I am on leave of absence right now is that I had been perceiving my writing as an attempt toward art and scholarly-scientific work rather than treating it as therapy form. Now? I'm paying the price with my health. Yet if I layer my stories anymore, perhaps I can say I am attempting to hybridize self-therapy with a valiant reach toward creating art that can be appreciated beyond my family and friends. But, right now, I have given up on creating "art" all together. Everything I do for the next few months... up to a year (whether writing or visual or musical forms or motions)... are strictly for self-understanding, self-organization, and self-therapy.
Man, I have become repetitious, and yes, I have become a selfish bastard with my work (or is it "bastardette"?), but I have to: it's a matter of mental health and survival. It's a matter of desperation. Dr. Steve Ino at UCSB told me last quarter at UCSB's Counseling Center: whatever you do with your writing and drawings, never consider it to be selfish--it's called "self-care." So, I'm learning. One time I told Sarah, a science journalist in Riverside, the first time I write or create anything, the first audience is only myself, and then through rounds of advice and editing, the audience expands otherwise--to the appropriate individuals or groups the story is intended for. Sarah said that this mentality of interacting with a perceived audience is very healthy. So, first round, it's a one-man band (errr, one lady show), but then again, I consider my single mind to be an ecosystem of motivations, desires, voices, organisms with unique characteristics and behavioral traits. So even though it may seem like the first round of my "talking" to myself may be a one-person audience, I feel like I'm speaking simultaneously to an internal disjunct chorus that is trying to coordinate itself. I was trying to make a cartoon for my friend Julie R. last quarter: "Grad School: Ecosystem-Based Mental Management!"
Enough said. Much more to explore on this issue. Maybe I should leave these thoughts for the shrinks. But then again, my most wonderfulest of my friends and family are my "shrinks;" they're just not all that "official."
I can also say the last 7 months, I have learned a lot about several political issues in the marine and terrestrial world, not only the politics of the environmental issues themselves, not just the endless politics of academia (which I sincerely need a break from::: UNPLUG ME!), but even the politics of "generating stories" about these environmental issues, or any issue in particular. The politics of how literary folks, cartoonists, journalists, academics, film crews function, so-to-speak, in which the more I know, the more I realize that I want to work with a very small group of people with whatever stories I tell. Minimizing bureaucracy entails more self-responsibility and labor, but also constructs more self-control and overall efficiency. I would rather work much harder on a project knowing that I had more control rather than someone controlling me. As I have said a bazillion times to myself: "I'd rather be a slave to my own ideas than the slave of others."
So, I'm continuing to learn about myself. The more I learn about political issues (that affect people that I personally know), the more I feel a bit scared to talk or write about what I know, or the more I doubt what is appropriate to include or not included in a blog. Which is probably one major reason I have not been blogging lately--I suppose I had to confront this issue myself. I think this self-censorship process has been happening since my initial participation in the south coast Marine Life Protection Act Initiative (MLPAI) process. I will just say that the whole arena of stakeholders involved in marine environmental issues is much more connected and incestuous than I thought--and perhaps a little bit in a disturbing way (when a single funding source pours in money into the entire spectrum of professions--from scientific research to education/entertainment to policy and politics, in order to better choreograph these often-time disjunct, autonomous universes, I would become a little bit worried). Well, it's not that I'm being "censored" by anyone in particular, but whatever I say, I have to be VERY careful and very ARTICULATE about what I say. But would that be necessary? Would it be necessary to have a "Fisheries WikiLeaks" because many things going on in the marine world is so "under-the-radar" to the public? Even under the radar among pertinent stakeholders who are directly affected?
An example of "under the radar." About a week ago I spoke over the phone with my Cousin Mike, who wanted to know all about the MLPA process I have been in tune with (as if I had a fetish following a particular athletic team, except it's a political process, not sports, what's the difference?); and after explaining to him the nuts and bolts of this public-private partnership, the stakeholders involved, the outcomes, and the current state of the process, Mike was appalled that he did not know that any of this was happening. He also didn't know that public-private partnerships could exist and be held unaccountable to the public vote. That California Citizens did not vote for this political process to occur, or be okay with. Mike was thinking about maybe he could invent some new cool gadget like an iRobot or iPhone5 or something and then he could earn gobs of money and then he had nothing else to do than meddle with the California State Government and re-wire the bureaucracy as to however he saw fit, as long as he was a private individual dumped a bunch of money on the state, demanding its reform. And no, my cousin Mike has no ties whatsoever to environmentalism. He's just a wickedly smart dude who keeps me on my toes, and I'm extremely proud to admit we are related (family acquisition through a marriage!).
But then again, what should I be scared of talking about? First amendment rights, right? Maybe I should just call things out "as they are." Tell the "truth," like what a scientist is supposed to do. Observes the world, and states his/her findings. Except I have found out there are frequently multiple versions of "truths" or "truthy-isms" and it's better that I just consider stories as merely stories (whether scientific or not) and not observable realities held by nearly all citizens, and just say okay, "Here's my story, dot, dot, dot. And it's just another of 101 stories on the same topic, so why in the hxll would anyone listen to me anyway?" There is so much information transmission in the world today that whatever stories I tell will be drowned out by information overload anyway.
I do say it's quite funny. The other day I had a discussion with my quasi-religious mother (religion, fate, spirituality, what's the difference?!), and she questioned me about a particular "end of the world" issue as a "scientist," and I told my mother flat out, in a very instinctive, impulsive way, as if I went through a very long, quasi-subconscious internal discussion with myself the last few months that rendered an autonomic response, "I am NOT a scientist." I can practice some scientific forms of thinking (left-brain linearities), and I have been raised by my scientist Dr. Bubsy (ha ha, my dad), but given arbitrarily constructed cultural and bureaucratic definitions, restrictions, boundaries of what a "typical" scientist is, and that my right brain gravitates toward reflexive, multi-layered, visual, synthetic, contextual thinking rather than strictly rational, computative, linear reasoning that denies the presence of self-perception and socioecological context that can influence anyone's research agenda, hence I am NOT a scientist. I do not think that "scientists" would survive to well in the world outside academia, which requires a sense of multi-dimensional, intuitive thinking that goes far beyond gaining knowledge by reading the bottomless pit or accumulated coral reef of "scholarly literature" and being a tweaker with a particular, specialized research project. So, as you can see, I am so bitter, I really need a leave of absence. I can't even call myself a "scientist" anymore, even though I know all about scientists and know how they think, and I interact with them a lot. And sometimes they drive me nuts.
Well, I'm beyond that box. It's funny to even say that "scientific thinking" is actually a very restrictive form of thinking, even though supposedly science is to "expand knowledge," only very limited forms of knowledge. Even my fisherman friend Bob stated that if scientists continue to perceive environmental problems strictly as "scientific problems" and not "human/social/perception" problems--err, multiple problems in simultaneity--then scientists won't get anywhere with their goals and agendas. They will continue to hit intellectual walls and roadblocks, and their audiences will not be all-inclusive.
So, then, if I'm not a scientist, then what am I? What should I call myself? Besides, "Victoria Anonymous" and "Victoria, Fud. The more you become an expert at one particular thing, the more and more you become an idiot with everything else." Yes, yes, besides that, let's just say I'm a "multi-media storyteller" who has academic strings attached, trying to bring out the best of academia in my stories and really get to see what theories actually do map out onto a physical reality we can all agree upon. Though we all know that much of the narratives in the university seem to be abstract, esoteric blobs that cannot take concrete shape or function when letting them run loose outside the academisphere. But I have discovered many jewels in the haystack....
Oh, I know it's horrible for me to "talk about myself,"--I am having a moment of self-consciousness here--but that is partially why I am on leave of absence. I have the CRICs disease: the Chronically shifting Relativistic Identity Crisis, and part of the goal for the leave of absence is to better understand this disease I have, and the shrinks say it's for "self-care." Identity exploration, like what humanities people seem to do. Except in this case, the notion of identity relative to the "environment." I should be okay. Since all my writing has a basis for psychological therapy, I should be open and willing and accepting that my own Self is a part of the picture of all the things I write. It's a necessity for me to plug in and stay tuned to myself. *Sigh*
I guess so far in this post, I have discovered two new Laws of Lacunacea (and of course, every new rules has exceptions). (1) The more I know about political issues that directly affect people I personally know, the less willing I am to be open and express the ideal form of freedom of speech. Maybe it just reflects that my own social sphere and social consciousness is changing. And the second law I have picked up by observing and dealing with harsh encounters within the abrasive perimeters of Hollywood (why do I feel the film industry is like some form of intellectual war zone? Well, perhaps it's the only landscape on this planet where ideas can be valued at millions of dollars, and everywhere else, each new idea we have is worth close to zero). So, the second law is: (2) The more money you get paid, the more you lose your freedom of speech. This is a general truth, unless someone provides funding to an independent individual (not an individual embedded within any corporate bureaucracy) that is completely "no strings attached" or "We give you money because we love you for who you are, and we want you to continue being who you are."
I guess the final question here in this blog is: What does it mean to go on leave of absence? (And to shamefully state, for the THIRD time, once from UCLA, once from UCR, and once from UCSB). First of all, a problem is a problem when you perceive it to be a problem. What I perceive to be a "problem" is not necessarily what other people perceive to be a "problem." Many problems in the world exist as "distant chatterboxing characters on televisions or computers" to most people, but I have faced four "systems" of problems that were either by birthrite, partially acquired, or took a level of sophistication to perceive: (1) my birthrite, inherited problem of wildfire ecology, in relation to my father's (the scientist's) research (2) my quasi-acquired, quasi-biological problem of anorexia and attempting to understand the relationships between mental disorder and "environ-"mental disorder, (3) the somewhat problem of understanding the university as a "landscape," in which every one of us was promised that the university would teach us about the "universe" and our place in it, but when any particular student attempts to go "department hopping," each specialized discipline is perceived more so as a historical accumulation of intellectual trash largely dictated by power structures, that renders no coherent, composite picture of the world we live in and try to interact with, and how was I going to sort through all this intellectual trash to find the necessary tools in order to find a way to contain, define, and solve any particular "environmental problem" in the world, first with my own health, second with my father, and third with California fisheries... (and now the state's broke, who really knows if anyone is getting their money's worth at the university?) and (4) my "matured state" problem in which I had to develop a level of perceptual accuity to see and comprehend, is all things related to California fisheries, evolution of ecosystems and social systems through time, particularly the Marine Life Protection Act process. Four massive suites of problems in my life that may be perceived as "distant" issues in most people's lives but have come to occupy intimate, personal spaces in my mind.
I guess the whole goal here is the individual and collective pursuit of exploring and manufacturing the "truth" (though we all know even truth changes all the time, because systems change). Truth being some form of universal perception of understanding of our contextual existence. So, first I started with science. I thought that scientists were the smart dudes and babes who were to discover the "truth." But I soon discovered, scientists--among many other intellectuals, such as Malcolm Gladwell (his disclosure statement here) and Vladimir Nabokov (Lectures on Literature) and The Gonzo Scientist series--worried about the notion of "objectivity:" that potentially it was possible to explore the system of study for what it truly was, independent of human perception of the system, or independent of human value and motivation, and independent of the context of the system. The only "legal" mode of objective thinking was complete left-brain, linear "logicality," and through this venue was the discovery of "truth." And then, I started to realize this goal of "truth" was a total joke (only rendering a limited, partial truth) as I started to feel mentally restricted, trapped, essentially--all these layers and spheres started to form around me, the humanly perceiver of any particular system of study, and the actual inter-related context of the system of study in space and time. I didn't know it at the time, but my mind was trying to find an alternative view (or views) of exploring "the truth"--and alternatively more complicated--and instead of blocking out all the layers and spheres and variables--as all these modern scientists do nowadays--that the more inclusive that I tried to perceive myself and my relationship to a particular system of study, the closer I was toward achieving a level of truth, though this truth is now much more personalized, it is an acknowledgment of personalization embedded in an a mapping exercise of the universal/collectivism. These layers and spheres and "acquired lenses or points of view" evolved more coherently through my continued education of science, social science, and humanities courses, trying to find a conceptual configuration--trying to find internal conceptual places for every thought that came from every possible discipline I encountered. Truth in my mind led to INCLUSIVITY, REFLEXIVITY ("Gonzo science"), CONTEXTUALIZATION, NARRATIVE, QUALITATIVE MATRIX VIEWS, BRIDGING KNOWLEDGE AND ACTION, and SYNTHESIS rather than EXCLUSIVITY, EXTERNALITY, REDUCTIONISM, NARROWING, SPECIALIZATION, QUANTIFICATION, LINEARITY, etc. One of my first cartoons has Terra screaming, "Don't shove me in a box! I'll create my own box!" or even with cartoons: "Don't shove ideas in a fixed-sized box. Let the ideas define and shape and size the box." Because all science was doing to her was trying to narrow her into a subset of a subset of a subset of a subset of a subset of a subset of a system. Oh, what other lovely words I could place here? I'm asking the same simple questions here: What do people know? How and why do they know it? And how does this knowledge influence their actions? All related to human-environmental relationships. And supposedly these simple questions mean that I'm epistemologizing and that I worry about ethics. Ecopistemologist, to be corrected. I'm the first one, because I invented the word anyway, and I am very proud of that. And besides my suffering a sense of constant information overload, being overwhelmed with chronic change, not having the ability to freeze or slow down time, breeding a sense of panic, stress, paranoia, sleep deprivation, poor eating, teeth pain, etc--physical manifestationS of psychological distress--and besides all this, I came to realize, that given today--that the pursuit of science is embedded in a massive bureaucratic context (whether in the university or industry), where my dad told me, "Science is 50% people, 50% politics, and something you do in your spare time," I was wondering whether any scientist or any individual drowning in some massive bureaucracy would really have a sense of autonomy, individuality, and develop a sense of truth, independent of the "invisible academic 800 pound gorilla" that lives on every researcher's back, exists in every professor's mind?"
So, besides pure stress and panic and physical pain experienced through and induced by my desperate, primordial, reptilian brain , I actually have a philosophical underpinning for leave of absence: the attempt to see a truth merely through the politics of my own mind, independent of an 800 pound academic gorilla on my back. And I have up to a year to figure this out. I was thinking, perhaps I was doing the "Thoreau-Into-the-Woods" thing, like what Michael Pollan was trying to do, which is kind of difficult when you were born and raised and currently live in southern California (but northern California is ONLY a few hundred miles away, so I have no excuse to go chum up with black bears in the Sierra Nevada), so the closest I can be to becoming an enlightened hunter and gatherer around this part of the planet is to be something like a gypsy freeganist type, and continue hanging out with fishermen! The goal this year is to experience my mind and my life and my environment by maximally unplugging myself from the system, from "The Matrix" of information and resources (except I'm not doing any bullshxt daredevil "Into the Wild" or "127 Hours" or "Deadliest Catch" crxp, which I think is totally sensationalizingly dumb, my being a female and conservative adventurist and acknowledging it is very important to venture into humanly unpopulated landscapes with at least a buddy system, whether scuba diving or boat-riding or mountain hiking. And I still feel entitled to being jacked up by Starbucks coffee, my staple luxury that is only financially affordable given that every cup of coffee I purchase must be accompanied with at least tw0 50-cent refills. But 85% of all my clothes are old, full of holes, and came from Goodwill or the Old Navy end-of-the-year sale where everything was around 75% off original price, making brand new clothes equal in monetary value to that of used Goodwill clothes. Funny how those things work out.
I have come to realize it's better to explore the truth through the mere politics of my brain--explore personal truths--an investigation not highly accepted in Objective Academia where the Personal and the Self don't have much of a Place, especially in the realm of science. Just me and my mental ecosystem. Woohoo! Now I need to re-configure my inner wirings with the outer world.
Last week I had a talk with my advisor Oran about the leave of absence. I told him that when I was in high school, I thought I was stupid because I would be very slow in finishing my homework and completing my exams and writing my essays, and I'm still a bit slow to this day. It took me about five years after high school to start realizing that I wasn't "stupid" or "dumb" or "slow," but I was processing the world differently. I wasn't trying to memorize or computationally, linear process information. I was trying to visualize the world, visualize knowledge, all this time. I was trying to grow a virtual "tree" in my head. That knowledge did not exist in mere words and numbers, but knowledge had a sense of place, relativistic location. That there was a place, a space and a time for every thought. And here I am now. I have been overtaken the last few years, blasted with information--frantically foraging across several disciplines--and not everything is processed the way how I need it to be processed: visually, cognitive maps. Not only visually, but also through written words, through sounds, through the generation of personal stories. I need time, time to slow down, so I can slowly, deliberately process all this information to let it have conceptual meaning within me. It sounds strange, but visualizing the world is my healing process. It transforms intellectual trash into landscapes of meaning. So, it's funny, my road of environmental media, though I'm fighting for it to be an academic discipline, and I will fight a long road ahead of me, that multi-media production also needs to be welcomed as an academic endeavor, perhaps even with a "peer review" process--not a Hollywood industry or journalistic endeavor--though I'm fighting this road as an academic discipline, this road has psychological roots, to my being right brained, toward my core mannerisms of processing information, toward my personal routes of coping and healing and self-therapy. I walk a dangerous road, where the personal and academic are severely intertwined--and it's more so dangerous for me because, here I am again, turmoiled, in pain mentally and physically, and again... on leave of absence. *Sigh* I wonder how I will ever be able to function "normally" in the world. I have to work so gxdxmn hard to channel my positive energy into the positive, desirable places. It's been so hard to find these spaces, but it has been worth the fight. I don't have much else of a choice.
My friend Hector tried to console me yesterday. He explained to me that "Back in the day, like in the 1960s, when the University of California wasn't in a financial pinch... or slump... students used to go on 'leaves of absence' all the time, either for breaks or for saving money while trying to get their degrees. But now the university has added intense layers of bureaucracy to make it difficult to go on leave of absence." I said, "Ya, like I had to have evidence that I am partly a nutcase in order to go on leave--I REALLY need to go on leave though. If I were back in the 1960s, I would have been on leave of absence since April of 2010!" Hector agreed that a leave was necessary because I couldn't function otherwise, if I had stayed. But nevertheless, he consoled me, but I still don't feel so hot about myself right now. Like yesterday, I was trying to write a simple blog, and I ended up barfing out 20 pages single spaced on how I got into this whole "marine, fishing" thing in the first place. I couldn't believe I never had a personal discussion with myself about this... until now... on leave... where I finally sense my own autonomy and independence of thinking from university bureaucracy (I was just thinking that science funding sources give researchers money for testing hypotheses, not asking questions, meaning you have to have an existing agenda before asking for money, rather than leaving the process an open-ended inquiry. I come to trust Dr. William Cronon's viewpoints more and more every single day). I feel like now I can think and talk about things that probably are not good to talk about while being in the U--now I can be free and uncensored like the main character is the "Turko Files" of KUSI News in San Diego, who calls out bullshxt when he sees it: "That ain't right! You can't do that! That's not fair!" Turko is very good at getting people involved in solving multiple problems around the city of San Diego.
And now that my cartoon characters Terra and Buz of Biologically Incorrect feel my sense of freedom from being on leave of absence, they both have the license to cite Cartman from Southpark: "I say what I wanh! I say what I wanh! I say what I wanh! What-evah! What-evah!" and "Myanh, myanh. Myanh. Myannhh. Screw you guys, I'm going home!" "What-evah!" Happy ending to ending my blog hiatus. Happy endings to new beginnings of mental barfing on blogs! Woohoo hoo hooo! :-)
Key Words: blogging, storytelling, limits to writing, leave of absence, stream of consciousness, writing as therapy, censorship, Fisheries Wikileaks, information overload, science versus storyteller, define science, CRICs disease, identity exploration, exploring truth, truthy-ism, 800 pound invisible gorilla, 101-legged squid, environmental media as an academic pursuit
Thursday, November 05, 2009
477. The Mysterious Grant from the Bren School, UC Santa Barbara... Case Resolved! THANK YOU!!!
Wednesday, April 22, 2009
414. Inspired by Jill Sattler Atmospheric Photography / Advice on a Website Copyright Statement
http://stokastika2.googlepages.com/copyrightstatement.pdf.
I have come to a point in space and time in which I feel that the quality of my work has improved to a point of professionalism, and though I am not officially employed anywhere (e.g. a newspaper outlet), I myself have come to realize I cannot build any further if I do not come to grips with my past: what exactly are the nuts and bolts and lego blocks I built upon to reach a state of professional quality and unique style. No one can build anything solid on rubble. I gotta be a phoenix rising from the ashes, eh?
Instead of the past continuing to haunt me as a swirl demons refusing to rest, I decided to come to terms, to grips with it. The demons never go away.... The issue is that this massive pile of rubble consists of tiny, little demons that need to be reflected upon and sorted out. For example, an idea called "Jill Sattler."
A few months ago, I was fortunate to meet a very artistic, knowledgeable, well-established, enthusiastic, spunky woman by the name of Jill Sattler. I happened to sit right next to her at a Starbucks at the corner of State Street and Victoria in downtown Santa Barbara (to which I found out retroactively that she religiously goes to Starbucks on Sunday nights) and we ended up sharing our art portfolios and ideas about art and science for a couple of hours! So much for getting any work done. I had been very inspired by her body of work I would call "Atmospheric Photography," and I am now attempting to understand what this term means in my own photographic work. Sure, of course, there is the atmospheric (cloudy / landscape / broad horizons) component to my work, but it's also about constructing an integrated experience of the photographer and all elements of the photograph. All components of the photograph are in place--for example, if one person takes a picture of a person in a certain type of environment, that person blends in with the backdrop such that the individual becomes an integrated part of the landscape and the photograph as whole. I think Jill Sattler's approach to art very much embody "environmental media," but then again... doesn't everything in the universe embody "environmental media"? It's all how you define "environment." Oya!
Jill Sattler's website is at http://www.jillsattler.com. While we pareused through the virtual-internet representation of her self, we encountered a copyright statement. Professor Sattler provided quite a bit of advice on how to design a copyright statement; she actually received advice from a lawyer. I basically mimicked the copyright statement used by Dr. Sattler even though it sounds so harsh and my work isn't exactly valued economically by society (and I am okay with that)!
It's funny how so many times I had discussions with individuals about copyright statements and protection, and for some reason, after listening to Jill Sattler, everything became clear in what needed to be done. She was the last straw that convinced me to construct a copyright statement.
One little demon laid down. And one tiny idea off my to-do list. A million more ideas to go, eh? Ya....
Saturday, January 17, 2009
376. Poem / Song Called "A CHESS of Fish," Coupled Human-Environmental SystemS (CHESS), and Identity Crisis of Environmental Media Graduate Students
PDF file for CHESS of fish: http://stokastika2.googlepages.com/2.CHESSofFISH.pdf.
It's funny. I am putting all this material on my blog. It keeps coming out. I work very hard. One day it will have a "better" place, "better" meaning other people may put it somewhere other than this blog. Maybe one day some people will absorb to some degree the things I think about. Like I said, a writer's work is only appreciated after he or she is dead. Going based on that null hypothesis, I need to continue to work, because that is how I survive. That is how I stay mentally sane.
At the root of all of this, it's only for sanity and survival... through the desire to care and attach myself to others and my surroundings.
Sunday, August 24, 2008
283. Ecopistemology and Comparative, Multi-media Storytelling
You know? It gives me some comfort knowing that since the dawn of human cave art-writing chicken scratch, humans have been writers and cartoonists (even musicians, but they had vocal cords for internal instruments, not electronic pianos). So, that's a few hundred thousand years? Million years? Paper and pencil have been around a while. But photographers and film-makers and million-dollar music studios only existed since the 1800s and 1900s. It makes sense to have a writer/cartoonist frame of reference, because the rest are recent inventions and more technology intensive. Evolution of storytelling.
I wrote a dozen or more pages on Ecopistemology and Comparative, Multi-Media Storytelling. Which I will ultimately have to say that (1) it is an essay attempting to define "what is environmental media and why do we need it"? (the whole scientists part of a system called society and planet Earth, scientists as chess pieces, simultaneously trying to analyze the whole game of chess, account for human dimensions of scientific practice and environmental change) and (2) it is written from the frame of reference of a scientist. Hence, I am comparing all forms of multi-media with reference to the practices of scientific writing and the acquired mindframe of a scientist. More specifically, field scientist (aka "fuzziologist").
Thursday, April 10, 2008
164. "Nipping the Nerve" Mega Toothache and Dinner with the Young Lab at Beachside Cafe
The consequence of working hard, getting into graduate school, is that you forget about the basics of your own health. Which I admitted to Dr. Young today. I signed the Statement of Intent to Register (SIR) form about two days ago and the next morning I slithered to the floor. All the pain in my body I had neglected for over two years came over me. Most prominently the infected molar. [end fragment]
I invented a song called nip the nerve / nip from the tooth to my mind to my microcosmic world [end fragment] I guess I would be pretty desperate person to create a song about teeth and pain.
The pain is so strong, it overpowers any form of rational thought so my cerebral cortex ordering my pain sensors to shut up and of course my primitive brain doesn't listen... what xssholes. I am just cussing at the insides of myself. [end fragment]
Couldn't pain be so great that your brain shuts off itself from the pain so you can co-exist... Like that whole morphine effect? [end fragment]
First dinner party at the Beach Cafe. Whole Oran Young lab. Very cool. Dr. Young has returned.
Alexios said he saw my blog. He smiled. What the hxll did I say? [end fragment] I was quiet. I hadn't jogged. I was a wreck. Super fast drive from Riverside. Hadn't talked to Dr. Young before. Will talk to him tomorrow. Friday. Julie Robinson shot some footage for Blue Planet with her Sony DVX 2000. Wow. That is cool. So I guess my camera is legit. Every image for Blue Planet and Planet Earth are like photographs. I like behind the scenes stuff with the camera crew. The true jarring elements of film-making. Sat next to Dr. Young. Was in pain from tooth ache. Almost made me late. Since then emailed Dr. Young about universal scaling laws in biology applying size and scale to reasoning in ecological systems. Whether this could be quantified in terms of biomass and energetics, all the better. [end fragment]
Dr. Freudenberg. Psychology of Size. Altered human behavior given the size of a group or a system. People care about each other in a tribal group and let a dead man lay in the street in a city for a couple of days. Alexios research. Idea of voluntary simplicity. Downsize. I made a poem about that. Dxmmit. People's values and perceptions change with group size. Voluntary simplicity. Technological coat. Technological coat we carry around with us. What do we truly need. What we truly don't need? [end fragment]
I was quiet for the dinner. The whole irony being at Goleta Beach. Both Alexios and I shared some degree of awkwardness. I thought it was most appropriate to listen because I am new and need to "learn the ropes" and start mapping personalities and histories of lab members. [end fragment] I think Dr. Freudenberg is left-handed. I recently saw Alexios presentation / Goleta Beach film for the MFA presentation with Lauren. Very cool. [end fragment]. Tomorrow "oil" what does that mean?
I was quiet. I am new. I need to listen to people. First step with any human beings is observation. Then once you start to learn how to push people's buttons, then it becomes manipulation. You just have to be very selective about what types of buttons you want to push on what types of people. Most importantly, people that can help you with a future career. People that come to mind automatically are Steve Gaines, Oran Young, John Melack, and Nancy Kawalek. I need some real psychologists on my side.
Lectures seem to have some level of organization to them. But dinners are just fragments of information bits you pick up here and there that are important in the context of your own mind's oak tree of knowledge. I told a friend of mine that his mind was like an oak tree. It branches and everything has its place. And everything builds. And he keeps it all in his head. Just like my dad. And I just trail you around like some scavenger secretary, picking up all these trails of beautiful ideas and writing them down myself, giving you credit for them.
At one point he said that it's the "same old people" at the dinner table, he wanted to leave. Not very nice. Hmmm. Surrounded by girls. Outnumbered. Hmmm.
Maria Gordon was very clever and jovial and full of jokes during that evening. I was a bit off. I really was off actually. The tooth ache put me in a bad position. I shouldn't have mentioned tooth ache to anyone. Bringing my personal life in this. [fragmented]
I ended up jogging later on. It was nice. Very cool to have such a dinner. Oran was off on sebbatical all over the world. He's working on multiple international treaties.
We have our "labels" for everyone. I was labeled as "environmental media" with "environmental communications slant." Then I said that I was "environmental media as a cop out to do environmental philosophy." He he he. And Julie Ekstrom, my housemate, said that was more like it. Dead on. He he he. Alexios is voluntary simplicity. Pria is science-policy. Sarah is water. Sarah is out with this guy Charlie I met through Craigslist. He caught me in the ultimate low point of my life. He's nice, but uh... just as a friend. Julie is ocean. Or more controversially ocean mnagement. Maria Gordon is "generalist." I want to be a generalist too! Victoria would love to have "scaling laws" tagged with her systems of study. Scale-based reasoning as use.
Also met Dr. Young's wife. She seems very nice. Very cool. I heard they live out by Mission Canyon. Nice area to live. Dr. Young is a real trooper. He rides his bike to school sometimes!