Showing posts with label holding mental breath. Show all posts
Showing posts with label holding mental breath. Show all posts

Thursday, April 01, 2010

535. "Uncertain Moments in Commercial Fishing" Manifesto at the Brink of Summer Vacation

Uncertain Moments in Commercial Fishing" Manifesto Monologue came about on June 16, 2010, though I chose the posting to be in April of 2010. The PDF can be found here: http://sites.google.com/site/stokastika2/uncertainmomentsincommercialfishingPDF.pdf.

Last night, June 16, 2010, was the first time in five years I was going through a noticeable, visible panic attack. I was in San Diego, now I'm in Santa Barbara. I was at Jx's house, and I was feeling weak and vulnerable, for I just started working through the instruction manual for Logic Pro music software (I'm trying to transfer from Sonar Home Studio) and realized that my venturing through the mechanics of music audio production would finally lead me to my salvation of bare minimum professional multi-media production, but then had to be interrupted by the realities that I had to head back up to Santa Barbara, because the following day entailed the initiation of a root-canal process and two meetings with two different professors. Then again, my being in San Diego embodied the first time of my escaping from Santa Barbara for an entire month of brutal labor of "reviewing the previous literature and paying homage to all those who did work before me... spending a significant fraction of my life worrying about what other people think rather than further developing what I think." Fxck! I hate literature reviews.... But nevertheless, I do learn new things and somehow I do build character in the process... then again... I feel more institutionalized... more so a part of the establishment... lovely.... To take things back even further, I had come to realize that this entire academic year I had been mentally bulldozed and riddled with a bunch of unfinished projects, but I emerged from my being in the midst of the intellectual academic hurricane with new directions, digging extremely deep inside myself and feel that I have the answer to the question of "what's next in Victoria's life" whereas in the previous summer I did NOT feel that way. So I've spent the ENTIRE LAST 9 MONTHS HOLDING MY MENTAL BREATH and it's the first time I've had the opportunity to ask "WHO AM I?" and "WHERE IN THE HXLL AM I AT?" being in San Diego, far far away from Santa Barbara, the utopia vacation land, yet riddled with my own academic problems... It's a paradoxical landscape at this moment... and last night was the LAST thing I wanted to do, drive in the middle of the night back to Santa Barbara to wrap up loose ends, talk to professors, and have the worst and most graphic and physical dental operation I had ever experienced in my 10 years of sitting on the dental seat. So here I am, uncovering the hidden prison of my mind--Logic Pro Music software--uprooted from my internal vulnerabilities, forced to return to the land of academidrama I didn't even want to think about and then right before I leave Jx vents to me about his concerns with the "conditions" of the ocean and how the last three months have not been money-makers, it's the first time it's ever happened to him in his entire fishing career... miserable April, like usual, then these blasting red tides with no ocean circulation, and now small vessel advisories due to excess wind.... There's no break in bad weather.... Jx vented pretty badly and then reminded me to be a bit more considerate with my use of coffee cups and the tiniest of things, combined with his fishing concerns (see the manifesto above) just placed me in this super ultimate vulnerable emotional state, where I feel everything is swirling and unstable and that everything in the whole world is "my fault" and then I find myself in this mode of uncontrollable heavy breathing and crying and wailing alone in the car at night, my sleeves covered with snot and these gang-banger cars passing by me with heavy loud rap music right outside the Lemon Grove Starbucks, in which I ventured in, trying to stay bare minimum composed though my face was blotched with brown-redness and the two insensitive women (or do I say bxtches) behind the counter inspected my one-time re-use coffee cup from the Albertsons down the street as if they were holding an envelop possibly containing anthrax, and with the immense uncertain snootiness the older woman rejected the possibility of a 50-cent refill because "it's not the same store" but then she mumbled "but we have coffee brewing right now, it will be about three minutes... but don't worry about it, I'll just bring one out to you," and though this seems to be a kind gesture in words, the older woman's tone of voice was of alien disgust, as if I were contaminated by the Gulf Oil spill or something, and I just burst into tears right then and there in front of those two snooty girls and barely handled my cup, sat down at a table right be the doorway trying to compose myself, but it was a miserable failure... just this ultimate moment of vulnerability where my exposure of uncontrollable emotion is greeted by insensitivity of the humans around me, I just knew, yes yes, this is a Post-Modern Moment (or Post Modern Second or PMS), or so I now know... Victoria Anonymous, Terra Anonymous... one and the same... human indifference to anyone and anything they don't know and are not attached to.... I'm staring at a few hundred humans across the street at the farmer's market, and now I feel like I'm staring at round stones rolling down a hill, I'm staring at tumbleweed blown across the Mojave Desert, I'm in a city and I feel more desolate and alone than when I'm out on the Pacific Ocean or at the Bahia de Los Angeles, so I was sooo uncontained that I just walked out the Starbucks and stormed away, back into the car, without picking up any coffee, it was the perfectly wrong moment to encounter ultimate bxtchiness of lady Starbucks baristas.

Before I left in the dark, I called Jx one more time and he calmed me down some, reminding me that we all need to vent, it's a part of the process... which is very true, but my vulnerability was unbearable at the moment.... He cheered me up with some text messages and cartoon ideas, and after about a half-hour of driving I was calming down... though just that half-hour before I was crying and wailing and short of breath that I could barely hold the steering wheel, let alone see through my watery eyes. As I continued driving up north, parsing the drive into "counties," from San Diego to Orange County (south and north) to Los Angeles, then Ventura and SB, Jx's manifesto sat heavier and heavier in me. It was so sorrowful to me, to give up.... To give up a passion, a self-carved profession that was half labor, half hobby and play, that had worked successfully for over ten years, and for a multitude of reasons all feeding off of each other... this profession no longer works, no longer viable... for more than a few days... an entire season? One thing I can say for sure, it is one thing for a scientist to write about how "all fishermen have to do is change their profession" in the literature in cold, nonchalant text, and then it's another thing to experience the venting worries of a fisherman or fishermen who have become close friends. These include worries... to a point of depression (worse than a bad funk). This distant, cold fine print problem in the literature suddenly becomes magnifyingly personal. A visua-emotional landscape mapped onto the impersonal... it's the least I can do in my life: experience the fine technical print, not just read it.

All the reasons as to why Jx is a commercial fisherman in the first place welled up in my mind: (1) to escape humans, escape civilization (2) to escape the absurdity of having a job in a box, a cubicle (3) to integrate mental and physical labor (4) to be your own boss, impose your own labors on yourself rather than do the labors of another human's will: all the ideals of such work just tapering away... to succumb to the drudgery work of a machinist society, where everyone is working for everyone else and not for their own brains.... Oh but there must be other fruitful and meaningful and connected forms of labors out there... It just takes a while to poke around and figure out where they're at. I spoke with Peter about this manifesto, and he informed me that many natural resource users feel this way: they are under the gun, at the whims of the agents of the environment, and then society comes down on them with additional layers of constraints, it can be unbearably overwhelming... like me... having a panic attack. I just think that "living your passions is no longer financially viable" is a sin of a mass-scale economic system. People are behaving to satisfy the vicious metabolism of a giant machine, rather than fulfilling their inner needs, exploring their inner souls. We're all being swallowed by the giant machine... if only we could somehow survive being at the fringes of the grid. I was thinking about the sportfishing option for temporary work... "You might as well catch people to catch fish. After all, there seems to be a lot more humans than fishes, so you might as well catch naive, vacation-going humans instead..." but then some of the charms of the labors of commercial fishing vanish.... What was the means of livelihood metamorphoses to Disney entertainment of the ocean (in part)....

It's toward the end of June 17, 2010, and somehow I have survived the day. I had the roughest dental work done on me... a root canal at the UCSB on-campus dental offices... lost so much of a molar.... I'm still sore... the dental assistant was a bit of a ditz, but the dentist was hard core. Today I was a phenomenal patient and Dr. Montgomery said he liked to "divorce the patient from the tooth," (quite existential!) so I'm a great patient with a troublesome tooth. It turned out that one of my four tooth tunnels inherently calcified, "nature's root canal" which was against the grain of textbook procedures. After that I had a super discussion about ecocriticism, Literature and the Environment with Dr. Shewry, and then wrote most of this blog at Kinkos in Goleta, and then talked with Dr. Alagona about marine environmental history and a whole bunch of other cool stuff (in which he cheered me up, as usual) and here I am, a little less bummed than before....

Sunday, October 25, 2009

472. Summary of the Marine Life Protection Act South Coast Conference in a Ditty Poem "Part of the Process"

"Something's Smelling Fishy" about the Marine Life Protection Act South Coast process. Well, everyone has the right to be skeptical, but what I experienced for three days straight (October 20-22, 2009) and the last year as the Fisheries Information Network (FIN) "objective notetaker" was my own perception of overall fairness.
"Something's Smelling Fishy" about the Marine Life Protection Act process. Well, everyone has the right to be skeptical, but what I experienced for three days straight (October 20-22, 2009) and the last year as the Fisheries Information Network (FIN) "objective notetaker" was my own perception of overall fairness.

About the images above. Well, the day after the Marine Life Protection Act (MLPA) Blue Ribbon Task Force (BRTF) meeting, I collapsed, endured a panic attack, a migraine, and an overall mental breakdown, largely alone in San Diego (I have been holding my mental breath far too long!). I had to call my mother and she told me to solve my head ache with garlic. Her voice and her voice alone soothed my aching head and calmed me down to some degree. I guess it goes to show how too much information and swaying stability of "rocks" can affect me. Filming the BRTF meeting was simply overwhelming and reduced my mind to a state of complete open vulnerability, and the slightest sway of a feather could have made me fall apart.

The next day (Saturday), Jules take me out on a boat ride, and I became trained in pulling up crab and lobster traps. I had no luck in catching any lobster *sigh.* The day out in the ocean and letting go of all reality on land was a significant healing process, clearing your head of all unnecessary crxp. While on the boat, I gathered some film and took some pictures, and quite a few pictures were devoted to the glorious montage of food-quality salmon heads from Washington state Jules used to lure lobsters to his traps. Despite the blood and gore of beheaded fish, I composed some interesting images, like the one above, and then pondered on the symbolism in relation to the MLPA process. By the end of the day, any remains of head aches and puffy eyes were gone.
PDF version of above poem can be found here: http://sites.google.com/site/stokastika2/partoftheprocessROUGH.pdf.

So, given my circumstance of being in "vulnerable, information overload," upon walking away from the BRTF meeting twice into the wee hours of the night, I started crafting a poem/song/ditty "to make sense of it all" that expresses the fisheries perspective I have come to appreciate and embody during this entire biopolitical ordeal... which is of course called "Part of the Process."

When enduring through the BRTF meeting, a few songs came to mind, one invented by someone else, two invented by me, and the third song is above, in the process of being crafted. During the protests out in front of the Long Beach Hilton (off of Ocean Blvd.), I was surprised that the protest was rather "silent," besides some cheers and boos and car honks. There was no song, no tune that was being chanted by the myriads of protestors (totalling 100?) to embody their thoughts, their experiences with the MLPA process. And so I decided to take a stab at it, though I am not sure whether I was successful.

The first song that came to mind was "Oh, I think I smell a Raaaaat... Aow! I think I smell a RRRAT!!!" By the White Stripes. Most appropriately.

The second song that was playing in my head was one of my own invention. "Who's gonna know anything anymore?" which I documented on
Blog 406. Basically, the song's about how no one has all the pieces of the puzzle, and when trying to put all the pieces together, a few "clowns oversee the black catch of my juggle"--individuals in power try to make the best possible decisions based on their relative knowledge level... or relative ignorance level. It's a short ditty.

The third song that came to mind was "Roll Over Me," as written in Blog 444, which is a song about how journeys out on the ocean have "healing qualities" that "roll over" complex, paradoxical thoughts and states of existence in one's mind. Healing qualities: always changing, multi-variate adaptation to reading the conditions, bringing home fish of fruition, washing over inna-rifting fissions, trying to not drown in oneself, having shared company with the ocean, running away from stupidity of human problems and artificial boundaries-imprisonments.

The fourth ditty-song is the one above, entitled "Part of the Process." First off, I will say writing poetry is powerful such that (1) it can summarize overwhelming experiences (2) it allows me to be metaphorically vague when bitterly referring to certain people, behaviors, or organizations. A few major factors that made me craft this song: (1) I was overhwhelmed by the scale of the MLPA operation, so many people, so many stakeholders involved, that I felt that the weight of any particular voice could be easily drowned out (2) the paradoxical value systems of fishermen "kind-hearted hunter" who is willing to "compromise, take some, set aside" "all in moderation, including moderation itself," trade-offs "conservation" and "socioeconomics" can exist within the hearts and minds of one individual (3) fishermen have deep-rooted mind-body and human-environment connectedness through the pursuit of hunting and being regional naturalists (4) acknowledgment of the sickness of the land, cumulative activites leads to declines in fisheries and ocean health (5) who are the puppets and strings in the process of setting aside waters as MPAs? "greens" are people motivated by monetary strings, "blues" are people motivated by internal passions "streaks of optimisms and wells of pessimism" and loss of jobs and identities (6) "organisms on maps" or the marine protected areas started taking shape, but we had to cut out a few sets of lungs and legs to do it, the process of short-term loss, withdrawal (like stop cigarette smoking) for the risk of supposed long-term gain (7) despite this elaborate process, the people in power lay "final stamps" and to what degree of control do we have in predicting the final outcome? (8) and being a part of this biopolitical process (corporate hotel room conferences with masses of people), have we become removed from the process--the process of being in tune with ourselves and the land around us? Contradictory, eh? I'm sure, as I continue to write about my experiences at this conference, the FIC/FIN meetings, and the MLPA south coast process, I am sure I will find other themes to incorporate into this ditty/poem. At least I think this is a good start for now.

Wednesday, March 12, 2008

136. Blue Horizons Continued: Randomness In Between, Residual Poetry and Songs Not Included in Constance Penley Music Compilation



Random bits and pieces
of space and time
Connect and intertwine
to form the fabric of my mind.

[Probably best Intro poem for
Poetry Collection: The Relativistic Identity Crisis]


This above poem was the intro poem "random bits and pieces of space and time" to my collection of songs/poetry that I submitted to Dr. Constance Penley when writing an essay on environmental messaging in music. I wrote the poem when I was hanging around California Sound Studios in the spring of 2007, and a former fellow high school comrade (his name slips my mind as of this moment) who's a double major in dance and music... and is now an engineer at California Sound Studios.

This is just a small chunk of a longer poem "101 Ways to Tell a Story" but I only included this part in an essay to Dr. Constance Penley. I was very upset writing this music essay. It capsulated what I knew but I felt ashamed because I didn't feel I accomplished enough in my own music to feel that I have established a meaningful essay beyond my own self-interest (though I laid out the rubric for the matrix of comparative storytelling). I think this poem blip is very important in terms of my own personal philosophy of story-telling. I am exposing my ideas to others, but it is up to them to "take it or leave it." Accept my ideas or reject them. I was kind of bargaining with Maria Gordon today stating that right now I am in creative-story-telling production, so by the time I'm in grad school somewhere, I will be in story-telling evaluation mode (just so I fit in better with the scientists :-). I am doing the creative stuff now (while people are largely off my back) and then doing the systematic analysis later. I told her I just don't want to be another victim of what's going on in Film and Media: intellectual spectatorship. How can you analyze a movie if you don't know how to create one yourself? That's the same way how I feel about all environmental media. I have no license to evaluate unless I have the ability to construct the system myself.



I also wrote this poem while I was house-sitting in Orange County. It was right around the time I watched the movie "Science of Sleep." I was influenced by a song in which the lyrics had in it how "love was a black hole" but these lyrics weren't the main theme of the song, but moreso subordinate lyrics and toward the end of the song. Well, I could relate to the words, obviously and STARTED the poem above. I have more lyrics to this poem, but will have to retrieve them later.


The above poem is a conglomerate of three fragmented poem bits "Mind's Rite of Spring / Open Heart Surgery / Holding my Mental Breath." All fragments were constructed when I was in Orange County... again. I am including this poem primarily because I incorporated fragments of it into the music essay for Dr. Constance Penley. When looking back retrospectively, I could say I was greatly "mentally constipated" in Orange County and I wouldn't have merged these three fragmented poems otherwise.


The above poem/song is called "The Greatest Gift a Friend Could Give is Time." I wrote this in a state of desperation and social deprivation (no "social pill") in my apartment situation during the summer of 2007. Desperation can make you pretty poetic in several ways! Perception of reality is very, very different! I felt like Tom Hanks on an Island in Castaway, though I was surrounded by people in Santa Barbara. I had no intimiate connection with any human through a housing situation.

The meaning of this poem kicked in later on during the summer. I consciously experienced a "mental tweak" in my brain after spending quite a bit of time with Oscar and Dulce. One evening I was supposed to go home and work right after class, but I was spontaneously invited to go with Oscar and Dulce to Super Cucas in Isla Vista, where we all shared a giant chicken-riddled nachos. Despite the stress and anxiety, I enjoyed the spontaneity of the moment, and how we just talked and laughed and got full with nachos for the rest of the night. During that night, it was strange to fully experience some "basal tweaking" in Victoria's brain (going third person here). It was if in that moment, Vic's mind assigned a "deeper value" to hanging out with Oscar, Dulce, and Maria. Like Vic's mind established some form of pleasure-center response or reward system or relaxation system for hanging out with such friends. Such an amazing feeling, especially after over a month of having no housemate, no roommmate. Very strange, very strange experience!

So, overall, during summer of 2007, there was a bit of "poetry gaps" and "poetry backlog" from my previous bout of Blue Horizons in September of 2007, so I'm trying to fill the gaps here.

Key Words: poem, song, random bits pieces spacetime, 101 ways tell story, matrix, intellectual spectatorship, love rabbit hole, rite of spring, holding mental breath, open heart surgery, time greatest gift, mental tweak