Showing posts with label chant. Show all posts
Showing posts with label chant. Show all posts

Tuesday, January 20, 2009

380. Poem / Song / Chant Called Principles of Scientific and Ecological Inertia (Quite Catchy, eh? Ha!)

Poem / Song / Chant Called Principles of Scientific and Ecological Inertia. Page 1.
Poem / Song / Chant Called Principles of Scientific and Ecological Inertia. Page 2.
Poem / Song / Chant Called Principles of Scientific and Ecological Inertia. Page 3.
PDF file for the poem:
http://stokastika2.googlepages.com/principlescientificecologicalinertia.pdf.
This poem is old. It was written I think in the Spring of 2006, during the time I was taking Dr. Martin Kennedy's Sedimentology course at UC Riverside. This poem draws the parallels of mutations, their successes and failures in evolutionary biology, ecosystems, as well as behavioral changes, and changes in entire human societies. If it works, it sticks, and it grows. It it doesn't work, it decays or collapses, and its parts morph into something else. So I would know, being a survivor of anorexia. Simple, simple logic under the whole jargon conundrum of the University. And so, this form of reasoning is being explored at the societal level by the Panarchy group, in which my advisor, Dr. Oran Young is affiliated with.
It's funny, my poetry--though out of place for a few years, now has context, and growing significance for what I am doing. I feel better, almost every single day now, being at UCSB.
So, the main theme is the properties of cycles of growth, change, collapse, and rebirth. I inserted a phoenix in the end . Because I didn't want to end in "decay / collapse." Coupling of mental observation-processing, mental mutation "epiphany," behavioral change, technological use-creation-change, environmental re-organization-use-change.... I have been wanting to write a story called the Phoenix of Science, documenting how a society had an intellectual bottleneck, and the ones who survived were the rebellious who hated the system, so they re-invented the language, they re-pigeonholed reality.
I also read this poem in light of my grandfather. He is still here, in my mind. He's in the mountains, you know. He's all over Mount Baldy. He's all over southern California. He's not gone. Hardly. In fact, he's freeer than ever.
The other thing I was thinking about is higher levels of organization beyond the individual. Like forming a group, a deep bond with a small group of humans, the co-alignment of purpose and motivation and skills, who create something greater than the capacity of any human can do. With film production, music production, creating an organization that can lead to the first grass-roots gay-elected official in San Francisco (so I have been inspired by Harvey Milk as of late--my neighbor friends took me to watch the movie, he was a phenomenal character). To be able to create a level of organization beyond one human and act like a coordinated super-organism is one of the most thrilling, engrossing feelings I have ever felt in my entire life. I have experienced is most consciously once with the final round of filming at Shifting Sands of Goleta Beach.
Not to mention, "the hardest part is always starting, but once you're going, you keep on rolling!" Get rolling, Vic!

Tuesday, July 08, 2008

238. Pilot Season First Annual Santa Barbara Write-off Reality Show Competition, Day 5, Creating a Musical for Climax Segment of Classic Literature



Please visit the pdf version of the poem below.
Though most people found this particular exercise the EASIEST, I actually found it to be the hardest. Shelly was testing us into more "commercialized" forms of writing (or writing that biases English majors over Science majors, two drawbacks for me!), which I think is superb for me and really taking me out of my box of writing for exploring the human-environmental condition. Shelly and her husband are currently working on adopting classical pieces of Literature into musicals (hence Shelly was going to New York the next day, perhaps to meet up with folks like Gershwin, sheeh). Everyone in the class had to choose a classical piece of literature, choose a key segment of the literature and create a musical piece. It doesn't need to rhyme. Amen. Sadly, my Crime and Punishment choice was not listed on Shelly's list posted in the front of the room--which had classics like Hamlet, Catcher and the Rye, To Kill a Mockingbird, The Stranger, Forest Gump, etcetera. Shelly was open to letting me do a Subconscious Tribal Chant for Raskolnikov in terms of whether he truly converted to Christianity or changed his ways due to a changed environment? Mine was a dark, psychological-environmental thriller. Many others were very lively and hilarious. Oh well. Though Shelly liked very much what I created within the half-hour time frame.
The question of the day is, why did my mind gravitate toward Crime and Punishement, of all the pieces of literature I had been exposed to in my life? First of all, I was in a very dire situation during my high school year, which was the same time I was reading Crime and Punishment. Raskolnikov went through Transformation, as I was forced to go through transformation to survive from Anorexia. And thirdly, I have come to realize that I have come to absorbe so much in terms of the way how Dostoyevsky thinks--the themse of emotions versus reason, science and reason versus religion. Raskolnikov was a young, complex character that needed change, just as I did. I was and I am Raskolnikov. I have become the essence of Raskolnikov just as Ray Bradbury became Herman Melville (at least for a short while)--at least partly. I think our egoes are completely opposite though. Raskolnikov had a Mega Ego problem and I had the Absence of an Ego, and had to formulate and Build and Ego. *Geeze* Wow.
Nice to know I can pull off some Bullshxt from my xss within a half hour. I am sure my AP/IB English Teacher, Ms. Ellen Fauver, will be pleased to know what I did! I'll send this blog to her some day soon!
If I had a second chance, I would create a musical climax for Al Gore's Inconvenient Truth. I already have a rough draft for a song. I just have to dig it out of my computer and finish it!
If I had a third chance, I would have written a musical for The Myth of Sisyphus, Part II. A Formula for Change, not Maintaining the Status Quo.