Thursday, May 22, 2008

212. Sample Visual Continuity Exercises with Kamron Sackolov, World's Easiest Catch




Included here is a separate sheet of "visual continuity" exercises.... "Plastic crab versus real rock crab" is not included. I gave Kamron a plastic crab and he didn't respond well. I gave him a real crab, and he was SO ELATED! That worked unexpectedly well. I managed to do all exercises with Kamron except for the cognitive map "me box," which I might have to do on someone else in the house, mabye even Scott Chatenever. I managed to do all the exercises with Kamron, and he was REALLY patient with me to deal with all of it. I am trying to make all interviews under one hour, but I don't seem to be too successful at doing that. Kamron's is going to be by far one of the coolest interviews in all of this.


From now on, I will have visual continuity exercises printed separately from the interview question list, such that I won't intimidate or scare off any of the interviewers. These exercises are VERY SIMPLE, they just look complicated on paper.

211. The Making of Bumper Sticker, "Stop Modeling Climate! Start Modeling Human Behavior!"





These are some "pre-drawings" in progress. Not all of them, though.

210. Bumper Sticker: Stop Modeling Climate, Start Modeling Human Behavior



I told this to Scott Chatenever (engineer and artist) last night: "If you want to change the environment, stop modeling climate and start modeling human behavior!" And today, those words stuck out like an eyesore. ~#~ again inspired me to do art, so this morning manifested a much-needed bumper sticker for academia. Environmental scientists need to transform their mentality from "denial science" to "interactive science." Becoming players, not intellectual bystanders.

As was most eloquently stated by ~#~, the mission statement of environmental scientists in general: "to save the world... after we collect MORE data."

I'll send this to my dad, ~#~, and Scott. Fun, fun!

209. Preliminary Question List for Charlie the Academic-oriented Fisherman, World's Easiest Catch

http://stokastika2.googlepages.com/charliefisherman1.pdf

Above is a preliminary question list I made for Charlie. I was supposed to contact him on Monday but I had a very stressful meeting with Dr. John Melack, but after two hours, ended out to be just fine. I decided to make the question lists more "rough" in version and not include the "visual continuity" exercises that I wrote down for Sam Shrout's and Kamron Sackolov's interviews. I will just bring the old visual continuity checklists with me. Charlie is the UCSB-geography-majored fisherman who has an understanding of what it means to think like a fisherman and to think like an academic. His viewpoint is SO crucial to this film. Besides, Charlie spent a great amount of time introducing me to the rock crab industry and hooking me up to Phil Freemand and Kent Schiff.

I had a hard time contacting Charlie yesterday, so I truly hope I will be able to contact him soon. I will try and call him later today after I finish Phil's question list, and a couple of other items.

Tuesday, May 20, 2008

208. Shifting Sands of Goleta Beach, Screening at the University Arts Center, May 20, 2008









I decided that before I attend the screening that I must finally put up my major final projects for "Shifting Sands of Goleta Beach" that will serve well in an art/film portfolio. They include my poster collage, postcard collage, logo, banner design, and a song that I invented, unfortunately never manifested in complete piano form. It ends up the art I created not only represent the situation with Goleta Beach, but also summarize much of how I view all human dimensions of environmental problems. Most particularly the poster collage of the head and the environmental images inside it. *Sigh* I am sure I will be emotionally charged with memories after experiencing my first reception for Masters of Fine Arts students at UCSB, which include Alexios Monopolis and Kirsten Pisto! So excited. I will write more later. I am anticipating Alexios will have blazing amazing photography much equivalent to Manufactured Landscapes style.

Saturday, May 17, 2008

204. Preliminary Interactions with Kristine Barsky, Invertebrate Biologist, California Fish and Game

http://stokastika2.googlepages.com/kristinebarskyratedxquestionlist.pdf

When I first started interacting with Kristine Barsky (fisheries biologist, California Department of Fish and Game), I made a few booboos. The first booboo was that I compiled a preliminary "ultimate" question list of questions of all possible things you could know about rock crab, from biology to chemistry to physics of atoms to integration of science and management and regulations. That was not good to give Rate X Unadultrated (however spelled) question lists, especially to people you have never ever met. In fact, Kristine is the first person who I interviewed formally without ever meeting her before. Everyone else I just tagged along with a shaky camera, and I'm on a second round.

This Rated X Interview List was GOOD FOR MY OWN PURPOSES, but NEVER GIVE TO ANYONE ELSE. You don't want to scare people away before you even MEET them!

Mind you, I am writing this blog quasi-brain dead. I need some sleep.

Kristine was very kind to let me go with this boo boo. Her husband is actually an underwater videographer, and so she even provided a lot of input of where to do the interview... in which she recommended the National Marine Sanctuariies Museum at the Ventura Harbor... a nice break from her office too!

I do admit, Kristine was quite skeptical of me, but for all needed purposes. She was perhaps equally as skeptical as Charlie the geography-majored crab/lobster fisherman. But now, after he found out I wasn't a dirt-digging sadistically irrational "enviro," we are ALL in good terms. I only make friends. I thrive off of everyone's positive traits and abilities. I can't deal with making enemies. It's like an addiction, some kind of inherent addiction I have. Genetic? Maybe. Or maybe my parents gave me some good manners from the getgo. A professor casually commented one time that the quality of the interview also reflects not only the person in front of the camera, but the person asking the clever questions behind the camera. That was a nice, indirect compliment!

By the time Kristine and I met, I had a much more simplified question list. She was much happier with it, and the interview went well. I will include the Simplified Question List in a near-future blog.

Kristine was also the first person she could not answer certain questions that I ask, given that she is representing California Fish and Game (she was wearing the agency's shirt)! I respect that entirely. Since then, I told everyone I am interviewing that no one has to answer a question if they don't want to. And if someone has something to say that I did not mention, just go ahead and blurt yourself to the camera!!!

But this situation has made me want to ask a set of questions that I was not going to ask otherwise. I only ask these questions in the most liberal of interviews. The discrepancy between individual views versus the individual view point in light of the agency they work for. You think you have freedom of speech in America, but the truth is, you are under the rule system of whoever your employer is. Micro-governance. So, for the liberal "artist-minded folks" I am interviewing, I will ask them How they Classify Themselves and then I will ask them How Society Classifies Them. I then started theorizing about Fight Club the movie after realizing this Discrepancy... how the narrator represented How Society Classifies the Individual versus Brad Pitt, who represented How One Classifies Oneself... and in the end, how two dichotomized characters merged into one integrated whole... after a shootout... after mega-dynamite destruction of giant skyscrapers.... It's almost as if this Discrepancy exists everywhere. And the only way to integrate discrepancy is through abandonment of societal rules and some strange mental form of system destruction (for me, it's system DECONSTRUCTION) in order to reconstruct from scrap and become one whole piece? Who knows whether I am interviewing anyone who is truly being "themselves" without any form of societal or system construct imposed upon the way how they behave... except... maybe... T$#!*l.... But that's a whole different story....

Kristine hasn't seen my 7-minute film. I certainly hope she doesn't. I don't want ANYONE to see that film. I tell everyone I am starting from scrap. That was something I had to turn in last year.
In the end, I really hope Kristine Barsky will like some end products of this film....

203. Interview Question List for Sam Shrout, the Rock Crab Hub Zen Fisherman for World's Easiest Catch

Some of the question lists will have TWO versions. One version for the person interviewed and one version for me--the interviewer. Because I end up writing all these extra notes, and you DON'T want to threaten the person interviewed with a crazy question list. I GAVE SAM SHROUT A HORRENDOUSLY LONG QUESTION LIST SIMPLY BECAUSE HE'S THE MEAT OF THIS FILM, AND I NEEDED EXACT PRECISE INFORMATION FOR THIS FILM. IT'S LIKE I'M FRAMING SOME KIND OF NARRATIVE, QUASI-SPONTANEOUS NARRATIVE. FUNNY, HUH?

http://stokastika2.googlepages.com/samshroutforsam.pdf


http://stokastika2.googlepages.com/samshroutforvic.pdf

Vic forgot to ask Sam if he can bring his LOG BOOK. Fisheries data.

It's like my question lists end up being like essays. The questions I ask are the things I think about, the essays I pursue. Like the idea of rock crab representations in pop culture. Like how non-profits manipulate humans into donating money based on cuteness and aesthetics. Like how there's this illusion that science and knowledge is only pursued in the university, and that fishermen know quite a bit--like a lot--like fisheries biologists and invertebrate zoologists. And how fishermen perceive scientists as well as scientists perceiving scientists in their world views and modes of inquiry.... And why Sam Shrout likes to be a fisherman in the first place. The same reason why I ever wanted to be a grad student in environmental sciences. Free. Individual. Likes to be outdoors. Pursuit of adventure. Working for your self. Curiosity and learning new things. Same for ranchers (~#~ gave me some references, Frank Davis connection). I have more in common with a fisherman than I EVER thought. Perhaps even more so than a typical university scientist or even people from government or traditional bad-habit media.

All these questions I ask, you may think are so diverse and disparate but they are all these different dimensions of humans from different fields that have a spectrum of conclusions projected upon ONE COMMON RESOURCE: the rock crab. And to figure out the spacetime matrix of each person's life that allowed them to formulate this perception is just a jigsaw puzzle on its own. And that's what is so beautiful about all of this. Prism of place. Prism of resource.

The whole issue here is that I am doing film and I am SO glad I am doing film because it accounts for the HUMAN DIMENSIONS OF ENVIRONMENTAL CHANGE. AND THAT IN ORDER TO FILM SOMEONE, YOU MUST GAIN THEIR TRUST. And a bond forms. A friendship. An interaction. A dynamism, mediated with some extra hypersensory, hyper-recording equipment. And this stuff is NEVER talked about in scientific papers. NEVER. Except for the "acknowledgments" section, and that's not even the meat of the paper, but ultimatley the underlying buffer zone driver that allowed the paper to take form, publish, and exist.

[Pause] [More belch]

Today, despite my lack of sleep, I managed to crank out this morning an extensive question list for Sam Shrout, the pivotal point of this film. The hub of the Rock Crab Industry of Santa Barbara. The Zen of fishing and marketry. The Positivity of Personality. The Hollywood Stereotype of Handsome, Intelligent, Eloquent, Common-sense Fisherman. Fisherman Poster Child. I got him first before Hollywood gets their hands all over him. Ha ha! Same for the amazing dog Mini Miss Einstein! (Lisa's pet, another blog).

Hey, I am super complimentary of Sam Shrout. Everyone says he's handsome. It's not just me. That's old news. He's been featured in other videos and even in some advertisements! Geeze! He has a very cool wife--Sherry--and three kids, I think. I met two of them today--Kevin and Brian.

Actually, I think Sam's family is like the Ocean Version of Home Improvement.

So, I was supposed to interview Sam today--in the afternoon--but he was so tired and pooped out. I was tired as well. We agreed to meet up on Tuesday. I hand-delivered the question list because if I emailed it, he would be scared because it's so long. I had to ask so many questions so he can say exact things I can place in the film. So specific, that I even asked him about crabsicles. Crab version of popsicles. He's cool with it.

Sam said last night he watched my 7 minute film, and he had this look on his face, it was so confusing and impossible that I thought he hated it. I wailed and moaned, and said, I am so sorry. I had to make that film because I had to turn something in! I am starting from scrap! I have all the footage! I need new audio! And Sam stopped me in my moaning and said that he liked it, and it was very artsy, something he did NOT expect, but something to work with. And I told him that this is all about connecting the dots, and stripping the story behind the surface. And that I intend to connect common sense real world knowledge with the absurdity of academic knowledge, and yadi yadi yadi.... And he's all chill, like usual.... He asked me why I was all in an uproar. And I said because Phil Freeman (fisherman in the film) reemed me because I made this film that was my stupid romping around the grocery store and that it was nothing about them and that they only got half a second in the film and they "all of us" wasted their time with me, and that my film was a waste of time, and and--and I am exagerrating what Phil said but I was so sad, and I started to cry though Phil Freeman didn't see me crying over the phone... and I told him my mind was strapped with red tape from the university transferring the last 9 months (though Phil had a severe back injury, in the scale of human problems, his was far more serious than mine) but grad school transferring didn't put me in the appropriate mentality to pursue a rock crab film. Plus I spent MY OWN MONEY on getting very good audio equipment--not school grant money--and then Phil Freeman, said well okay, maybe I'll help you out with one more interview. Maybe by that time he was convinced that I am doing this out of my own pure pursuit. Not any intention for the university. And that EVERYONE hated me. Even Kent Schiff, who is sooo crucial to this film, everyone is disappointed? And I am just this WASTE OF TIME? And I am--but this is my FIRST film? And the first part? And I had bad audio? And you're expecting me to get the Super Film Award for the Universe of Spectoriko on my first film, and... Even right now I am crying--if only people knew how much their time and effort means sooo much to me--even if it took me 9 months to pick this film up again from RED TAPE HXLL. And I even put at the end of the film it's just 7 minutes and I want to make this film longer! And Phil Freeman even wondered whether anyone was even ENCOURAGING me to finish this film? And I said, everyone from the university is....

That day I told ~#~ that I got reemed by a fisherman... but I deserved it.... I cried to my dad.

But before I told Sam Shrout all this, he interrupted me and asked me what was Phil expecting? Some kind of advertisement for Phil's fishing? I said I don't know. I said ALL film is consequentially advertisement, but I know I AM FULLY AWARE I WILL GIVE GOOD TIME TO EVERYONE in a fully extended film!

Anyway, I am kind of pooped out writing here. Sam is gung ho for the film. He said it was very different and artsy. We'll be hooking up next Tuesday, and we won't have to deal with all these frickin' tourists making all this noise pollution so I can't get good audio... Happened last time with Kristine Barsky. I think now Sam knows that he's messing with a girl who's going through a rational mental trip without smoking weed, so I think he'll have fun.... He said some really off-camera mouth-offs today, and I said, "Well, Sam, we are going to have a very open-minded, fully exposed and revealing camera interview here!" I am glad and relieved he is so open and individualistic. Sherry was cool with the film, but she was in a rush. You can't watch the film in a rush though. Cathy Bogg's husband mentioned that the film has so many layers that it's not typical 5 minutes of information in a 50-minute stretch of film. It's five minutes of deep content in five minutes of film, that makes you watch it 10 times.

Insane.

Well, I have Sam Shrout on board. I'm looking forward to the interview. I can't wait to make amends with Phil and Kent. Because basically, Phil, Kent, Sam, John Downey, and Kamron the rock crab consumer are the five core characters of the film... *Sigh*

Friday, May 16, 2008

202. Business Cards, Temporary for World's Easiest Catch



Kristine Barsky gave me her business card after the interview (May 8, 2008 interview), and I realized that I needed to update and revamp my business card to some degree. Here is a working business card I need to print out. Not the best, but will work for now. I need to redistribute information on the card. It's not the "regular size" for a business card to slip into a wallet... unless it's folded. Mostly what I need to do is have an informal Commonsenseologist business card on one side and a more formal UCSB business card identity on the other side. Next time. Oh well.

201. World's Easiest Catch Bird's Eye View of Interview Setup



I was having a hard time writing about my first experience with Kristine Barsky (interview on May 8, 2008 at the Channel Islands Marine Sanctuary in Ventura), perhaps because there were so many variables and factors that were changing and not constant during the entire experience. I was perhaps overwhelmed. Not only equipment set up, but scouting and lighting. It is very good that I showed up very early, and Kristine showed up a little late due to some traffic. It was of great misfortune that during that day, though the National Marine Sanctuaries said it would be fine to film, it ended up they were setting up for some art gallery behind us. Quite a bit of noise, but hopefully the audio has a good "hierarchy of noise" and that Kristine's voice echoes far beyond the people chattering.... It was my first series of interviews, so I can't exactly beat myself up about it. I started getting better with all this "default operation mode" when interviewing Kamron Sockolov.

I started to realize that every film-documentary or "NARRATIVE-FRAMED DOCUMENTARY" (Kristine Barsky calls it pseudo-documentary, perhaps because I ask strange questions and that I impose a level of staged-narrative control of interviews as well as visual continuity exercises, I frame everything with my own "philosophical overtone," but Kristine was impressed. I did my part and was prepared). As I was saying, the narrative-framed documentaries I create I ultimatley will have TWO PHASES. PHASE 1 is OBSERVATION, SHAKEY CAMERA, SPONTANEOUS INTERVIEW, IN SITU. BECOMING COMFORTABLE WITH PEOPLE INVOLVED. PHASE 2 is CONTROLLED ENVIRONMENT, REFLECTION OF EXPERIENCES, SIT DOWN WITH TRIPOD, ASKING CRUCIAL QUESTIONS TO GET THE SOUNDBITES I NEED FOR NARRATION.
Besides the graphic orientation of the interview setup, some other key points for advice: (1) SHOW UP EARLY, EARLY, EARLY. ONE HOUR TO HALF HOUR EARLY. (2) THIS GIVES YOU TIME TO SCOUT A LOCATION, TRANSPORT EQUIPMENT, SET UP EQUIPMENT, TEST AUDIO AND VISUALS. (3) SO BY THE TIME THE INTERVIEWEE COMES, EVERYTHING IS ALL SET UP!
Disclaimers for the Interviewee: (1) Be patient with me, please! I am a one-person crew! So I might have to cut with audio difficulties (2) If I ask you to repeat something, it is for the sake of soundbites and editing. But I want BOTH your long and short answer. (3) If there are any noise distractions (dogs barking, cars, airplanes), we will have to stop, and I'm sorry you may have to repeat stuff. (4) To repeat (1), please be patient with me!
It's fun being zen-film-maker (but I did go through withdrawal being a part of a large Goleta Beach production crew, spoiled, crutching on other people... start becoming some synergized coordinated film crew super-organism), because you become more intimate with the people you interview. Even the interviewees become film-makers and part of the crew! They get to hold the camera sometimes and move and use the equipment. They offer to help me! I even ask them advice for visual effects and how they would like to see the film look like. So, it's not just me. I think it's better than having a wall of unnecessary teckies surrounding me. It makes the whole set-up very impersonal. *Sigh*
One more comment! This is not an ERROL MORRIS film. People don't stare at the camera, usually. They are staring a little to the side towards the interviewer... Maybe the next film they will look at the camera like Errol Morris films.

200. World's Easiest Catch Equipment List for Sit-Down Interviews

http://stokastika2.googlepages.com/worldseasiestcatchequipmentlist.pdf
Second round of interviews. Double paranoid with audio. Adding all these tricks of very good concise interviews and Visual Continuity Exercises. This is the list compiled after interviewing Kristine Barsky (California Fish and Game marine biologist) and Kamron Sockolov (philosophically-inclined rock crab consumer). I still need to check a few pieces of equipment, and also make a mirror box. At least some kind of list is set frozen, so I don't have to think so much about the myriads of crxp I have to throw in the car every single time I do an interview!

Thursday, May 15, 2008

215. Biologically Incorrect Cartoon, From Gender Mirrors to Prisms



Biologically Incorrect cartoon, Terra and Buz, from gender mirrors to prisms. Yesterday I saw prisms at Paradise Found, a new age shop in downtown Santa Barbara. It is where ~#~ got his prism in his room. He said I could borrow his, but I want to keep it in his room, for sure. I told him about my experience in the shop. Well, I was stunned. I had never really "consciously" been in a New Age shop before. I remember Seth reminding me how Sedona, Arizona was a total New Age hippi town, but I could only imagine.... ~#~ said that most new age shops all around the country have the same stuff. Hindu trinkets. Buddha zen section. Incense that made your nose go crazy and your head hurt. Everything is overpriced. I said I could say I am 3-5% associated to new age shops. I'm cool with all this spiritual consciousness stuff, but uh... after seeing 200-dollar crystals and some free calendar featuring 8 or 9 gods. I randomly chose Sheeva, apparently some MALE god (looks female, though, make up, earrings, the works) who is some ultimately consciousness god. Uh-huh. I was overwhelmed, but turned off at the same time. I told him about this very cool shop in the gut of a brontosaurus off of Cabazon. He's been there before. Hadleys, maybe. The shop had some new age stuff, but indian stuff, some useful trinkets (like swiss-army knife thingamabobs), but less consciousness stuff. It had more the feel of a gift shop of a natural history museum. But it was in the gut of a fake brontosaurus, right next to a morphologically incorrect T rex dragging his xss on the ground.
I also told ~#~ that I take a few "new age" items, like plasma lamps from Spencers stores and apply them to represent some holistic symbol of the dichotomies of specializations of science and stakeholders in general. The rock crab film has a plasma lamp. The next film (hopefully with lobster) will probably feature a prism.
Prism, see through, open mindedness, all questions at all directions. Find the common stuff in the middle. It's all the same, even though it seems different.
I guess this cartoon represents a joke that ~#~ told me. He introduced himself, "Hi, I'm ~#~, and I'm a human being." I forgot the context of the joke, but ironically that was a very cool thing to say to me. I truly always wanted to meet a human being.... I mean a human being in his or her entirety, unclassified by any arbitrary specialization. That's how I felt when I met a few actors on set for the movie Made of Honor with Patrick Dempsey. I always wanted to meet a holistic human being.... That's what actors are. They are and do everything (except for all the nuts-and-bolts BEHIND the camera).
And the second thing the cartoon represents is that in terms of male-female relations, I think I am starting to understand... at least one person.... Before, it seemed like a wall with all males, except for my dad. A mirror, you see different sides, but you don't penetrate and see the common stuff in the middle... like a prism... and I'll be dxmmed I sound New Agey. (Written May 22, 2008)

199. Experimental Interview with Kamron Sockolov: Environmental Psychology, Perception, Aesthetics, and Human Decision-making w/ Non-Profit Marketing


First of all, I am very proud of myself to state that I took BOTH pictures above. The cute little fuzzy snowy plover by Coal Oil Point (Santa Barbara), and this Very Cute But Less Fuzzy and Super Adorable Rock Crab at the Harbor in Ventura. Okay. Fine. One has a little more Cuteness and Sex Appeal than the other. No! It's not black and white! It's not Uma Thurman on the left and George [Ape] Bush Junior on the right! Hey, hey, HEY!!!
Maybe one of my points here is that beauty can be an acquired taste. And appearances can be deceiving. Humans and non-humans. I adore my rock crab so much I could kiss it on the carapace! Okay, in the name of tree-hugging! You know I'm just being biologically incorrect!
Kamron works for a non-profit in downtown Santa Barbara, and I was able to incorporate a component of the interview about non-profit groups, non-profit marketing, and the notion of aesthetics, "poster children" of the environment, and how much aesthetics drive human decision making in terms of what we care about... and whether that is really a problem or not. And then the mentality, the discrepancy between idealisms of non-profit groups (runned by independent individuals with shared collective values to solve real-world problems) versus the harsh, hypocritical realities of most non-profits (very little citizen support, receive donations from big megacorporations with agendas and desires for tax write-offs, most of the time is toward fund-raising and maintaining bureaucracy, rather than energy directly toward the problem itself, true agendas are pushed off as side projects as megacorporate well-funded agendas are put to the forefront). So much for non-profits. The crux of system inefficiency. *Sigh* It seems like this society is so huge and so disorganized, we are making jobs that don't really seem to need to exist, and all jobs that NEED to exist DON'T exist. *Sigh*
Kamron had made some amazing comments on the issue. I will be writing more on this later.
All I can say is that the last remaining frontier of research of "the environment" comes down to a systematic investigation of the Absurdity of Human Behavior... relative to the Environment, that is.... This seems to transcend all arbitrary classifications of the social sciences--race, class, politics, religion... all artificial constructs that don't really seem to exist when it comes to re-defining humans in relation to their environment....

198. Pre-Medititation for Educational/Promotional Art Video for Scott Chatevever, http://chatenever.com



Yesterday I interviewed Kamron Sockolov. UCSB graduate in engineering. Philosophically-inclined Rock Crab Consumer. NOT your typical average consumer in the grocery store. In short, it was a very experimental interview, and it went very well. THOUGH, we didn't finish. And it's my fault for making the interview too long. He put up with A LOT. Plus he just came home from a full day's of work. Thankfully Kamron and all his housemates are perhaps the most adventurous and flexible of characters I have met during my rock crab filming last summer of 2007. "You never know where the rock crab is going to take you!" is a great summary to represent our little adventure of Rock Crab Fiesta, Fireworks, and Police Bust. In all honesty, I can't wait to finish interviewing these guys because their place (grad student house + funky artist house, even cooler than the diagnostics of a typical "grad student house") is just totally cool to chill and relax and shoot the shxt about all things philosophical and about life in general. I was keeping my distance merely to objectify the interviews. If I get to know the people too well, then the interviews don't become the same.
Besides, during this time, I was self-isolating because of my traumas with graduate school transferring.
I will just say I entered the household on the "right" baseline: girl holding film camera. And that is our relationship. We have already established comfort zones of this technologically-mediated relationship, so you can really build up to do interesting things!

I will elaborate the interview with Kamron further in another blog.

The purpose of this blog here is to document a Pre-Meditation for a Short Educational and Promotional Art Video for Scott Chatenever.


Pre-meditation rough draft is above. I already made changes and added things to it.

Scott's art is just simply DRUGS TO MY MIND. Like good hallucinatory or TRANCE ones. I am wondering whether he is left-handed. He has an engineering side and a freaky art side. It's like there's this entire community of culture "rejects" or "independents" simply because they think holistically. They have a systematic linear left brain and a super-creative right brain, and they simply desire to exercise holistic behavior, but society just only has opportunities for overspecialized hamburger flipping.

Scott's art? Oh ya. It's SCULPTURE. Organic. Fractal. Evolution. Ecology. Fossils. Rooted to the non-human environment. You couldn't tell whether it was the real fossil or real organism or whether it was actually just Scott's art. Scary, huh?

There are computer software programs that generate fractals, but this guy basically does it with his own hands and materials for sculpture.

I wrote Scott an email a long time ago, telling him that his artwork was like he was playing God or something... designing evolution through his art. I mean... it's sick shxt. I sound like I'm stoned or something. I think any artist is playing God to some degree. Even more so than some scientists, I think. Because not only artists Create Reality, but they also warp and twist human emotions. Scientists don't do that. They only STUDY it. Lam-o. Some environmental scientists in particular I consider being Intellectual Spectators. Artists are Intellectual Interactors. They CHANGE things... in multi-layered experimental ways. Mind-altering, man.

Doing this video with Scott will satiate two intellectual hungers of mine: (1) artistic representations of the Environment, interactions between artists and the environment, and (2) patterns, fractals, universal scaling laws in biology, ecology, and evolution.

It took me 9 months to come around to committing to doing this promotional video, but I realized that making such a video is far beyond Scott's work. This can easily go on Current TV and to the Santa Barbara Ocean Film Festival. Lots of promo. I also like the project because it's SHORT. My rock crab film is daunting and long. I need to have short + long so I won't go insane.

I decided I am not going to ask any money for this gig. As long as Scott lets me use the footage for a longer Godfrey Reggio-like video on scaling laws in non-human and human societies.... One favor I will ask him is that he hooks me up with a solo musician or small band (guitar) and this guy or lady in exchange for a promo video can help me do some music collaboration.

Hmmm. The next short video I might do is maybe for a local musician guitar player. Because maybe then with a barter, he or she can team up and do a couple of music pieces together. Aha. He he he. I'm thinking intelligently now.... for once!

Though I don't have a production crew--the dreadedness of being SOLO--it turns out my production crew becomes the interviewers, the people I am filming. They start providing advice, while I start asking for it. They start helping with film equipment. They start asking questions and we go through dialogues about visual-acoustic design of film. I think not having a production crew is genius in some ways (though a trade-off in others) because then you become more involved with the people you are filming rather than have this stand-offish relationship.

In the end, intimacy makes better films.

I added a few lines to the poem / song (just to make it a two-way street type of reasoning): If it ain't manufactured / by human revolution / I guess it was manufactured / by the likes of me // but if it ain't manufactured / by my own volition / I guess it was manufactured / evolutionarily) ... "with his clever human technology...." an alien creation... maybe...

Wednesday, May 14, 2008

197. "Time Goes By" Poem / Song Written on June 27, 2008 in Response to Filming the Santa Barbara Writers Conference

Time Goes By
Time goes by
The speed of light
Do I dare to its
Reflection?
Time goes by
The speed of sound
Do I dare to-its
introexospection?
Do I partake
In its flowing connection?
Humanity's
Resurrection?
So I run,
and run and run
The speed of light
Engaged-upon
Investigation
So I run,
and run and run
The speed of sound
With a layer of
Of novel direction
Humanity's
Resurrection?
Humanity's
Resurrection....

196. The Big 25 for My Sister, Jenny! She's Taking it Much Better Than I Am!

I woke up, and called my dad. He informed me that my sister Jenny (Ph.D. bound physical therapist at Cal State Northridge), is turning the big 2-5- TODAY! I instantly muttered "Oh Shxt!" I knew it was her birthday, but not THEEE dreaded birthday. God. I remember Mrs. Cooper's dire 40-year-old birthday held by Mr. Andres. Black and skeletons and graveyards and RIPs and the works. But for 25? That's how I felt, for the entire year! The Quarter-Life Crisis is becoming a more widespread, pervasive condition. For some reason, living half a century has made you come to a point in which you ask the scientific question: "What in the hxll am I doing with my life?!" So, that year, I went on leave of absence--to the chagrin and skepticism of my parents--and I created my own informal whirlwind version of art school. I was not in good terms or hardly even speaking terms with my family, but I was determined to sample all art forms, which would ultimately lead to film.... Hxll! I only live once! But due to lack of family acceptance, and even feeling like an outcast and a reject to the university since I was a scientist engaged in the techniques of art, I felt like my mind lived in a Medieval Dark Period for the entire year. Like I was some form of Fragmented Living Dead. At one point, I went to visit the Assistant Dean of the Graduate Division at UC Riverside: "If it weren't for modern medicine, I'd only have FIVE years left to live!" I was so upset in my own skin, but Dr. Quinn, who was prabably in her early fifties, just stared at me BLANKLY....

Oh ya. I'm 25. There are people out there who are OLDER than I am. Wow, that sucks.

But Jenny is taking this a lot better than I was. She said she was a little depressed yesterday, but now she's fine. Besides, she has a final exam (today of all things) to distract her from any more depressing thoughts! Jenny rationalized that she has lived through a quarter of a century, but she should take advantage of being alive, have fun adventures, don't stress out too much, and learn from your experiences.

Besides, I told Jenny the family rule is that "men don't mature till age 50" (so technically, he's 13 years old) and "women don't mature till age 25." So, I am one years old (26), and Jenny is 0 (starting from scrap), and the year before she was "negative one."

To wrap up my saddening story of the big-2-5- with a quasi-happy ending. Over the course of the year, I started picking up skills in art, to a point I was able to show my father some pieces of music I composed, played, recorded, mixed, mastered, produced. Yep! Complete self-sufficiency! Not that my audio equipment was particularly of any high quality. I wrote a song called "One More Day," and the stipulation is that "If I could live just one more day, I'd sing the rest of what I'd have to say. I have done all that I've could. I have become all that I've should." Well, yes. My first major piece (in crxp recordingtools) ends up being a modern neo-pop Requiem of all things. It reflects my state of Depression and Desperation, trying to break out of my brain. As if my mind were in a prison, and the only way to break out from this prison of expression of ideas was to learn every possible art form, to finally have ways to channel these acoustivisions and emotions. The wonderful part of the piece is that I presented it to the Orange County Writer's Group, and even writers with agents liked my music. I received so much encouragement to market myself! Otherwise, my aunt Jery Lyn, an artist in Sebastopol, was the only other person who kept encouraging me to do art.... At least I had someone to gripe to and fall back on.

My dad started talking to me and relating to what I was doing. He joked that he placed my music CD right next to a couple of CDs of Bach and Wagner. I guess all fathers self-aggrandize their children. My mother started to understand what I was doing when she saw my final film for Blue Horizons. And now she's ecstatic that I am combining science and art (film, more specifically). And by the time I reached Blue Horizons science-film program, I overtrained myself in every art form such that I was self-sufficient to dump multiple diverse art forms onto one single timeline, and have all these fragmented acoustivisualizations interact and weave togetheer in an integrative way! As if my mind were already mentally ready to think multi-layered--film, geology, music--it's all the same, even though it seems different. It's about building and interacting layers across space and time.

Once rejected by my own family members for pursuing things that will most likely get you unemployed in the world (though, you do become spiritually wealthy despite lack of physical wealth), now I have become accepted. The year leave of absence had become very worthwhile. And then at the ripe young age of 1 years old, UCSB accepted me as a Ph.D. student in environmental media. Quarter-life crisis started with self-system rejection, only to lead back to re-incorporation, and much more hope!

Besides my friend Talei leaving back to China, the other depressing thing I went through that year was the self-discovery of my first gray hair (I can't complain, my sister started getting them at age 18, she has my dad's genes). It was strategically located in the front right part of my head, near by where my bangs used to be. It was an unexpected finding upon search of the potential for head lice (because I was forced to share a brush with a few other teenagers for a photoshoot). Gray hair was the last thing I wanted to discover. I cried and moaned to my father, who was slowy approaching me from the other end of the front driveway. He gave me a weak hug and a simultaneous "get over it" and "join the club" look on his face. His head was coated with thousands of gray hairs. Same for my mom. Genetics has inevitable consequences... in some cases. I even told my cousin Mike Dillin, and he thought someone ELSE found the gray hair, not me. Nope. It was me. Tragedy. Mike said he would have been so pissed if someone else told him he had a gray hair. Like mind your OWN head! Anyway. Hair is just a bunch of dead cells, so I got over it. Depression in this case was topped off with curiosity and intrigue, as I managed to have enough willpower to pluck out the hair, bag it, label the bag, and even save it to this day. I even scanned it, and I am not even sure as to whether I wrote a blog about my first gray hair yet!

Being 2-5- is not as bad as you think. Unless you are Victoria, who was a scientist who battled with stigmas of the university and her family... struggling to fully express herself as a multi-media artist. Then... Medievel Dark Ages would most likely represent what you are going through....

Tuesday, May 13, 2008

195. Rated X Interview Question List with Kamron Sockolov: Philosophical Rock Crab Consumer (to be held tomorrow)


This is just the FIRST page!
Enjoy the rest of the interview question here! Totally philosophically uninhibited! Unrestricted!


Hey Kamron!
Have fun! Don't think too much about this!
Enjoy the process! Get intoxicated however you feel.
These will be the best interviews ever.

I just got done with some interview through a large agency, and it was kind of depressing how people have to be restricted in what they say simply because they represent this agency, not themselves. So, please represent yourself!
FREEDOM OF SPEECH, BABY!

See you tomorrow around 6. Might show up early. If you can find that wrench you used to open the crab. That would be great. Improvisational!

Best, Victoria

Monday, May 12, 2008

193. Addiction to Humans:: Addiction to the Internet

My brain is scattered.
It suffered from potential loss, but such was not the case.
Everything in my mind was exaggerated, blown way out of proportions.

Perhaps because of my own symbolisms: very subtle to others,
but cancerously magnified in my mind.
I did things I usually don't do,
and to be put in a position to do things I don't normally do,
and then to be caught off the wrong place and wrong time to not fulfill
the purpose of these symbolisms,
I crash and burn inside.
I run and hide and cuss myself out and the world in embarrassment.
But everyone else is frickin' clueless about my internal battle
to extrovertize internal thoughts and feelings.

To think that a human would flip out to the nth because she put her hair down
and not have it in the usual 99.99999% of the time ponytail to neutralize her appearance.
Rule #1. Only in front of the camera. Hair down only in front of the camera.
Camera = utopia. Creating Reality. Not observing and dissecting it.
And hiding and lurking within it in the limelight.

But that's the discrepancy between my own vulnerable Reality
versus the Reality to the world outside.

In the end, it doesn't matter.
Everything is fine.

The strangest thing about becoming addicted to other human beings
is the degree of similarity on how I became addicted to the internet.
The internet became some form of technology that if I were not near it,
I wouldn't be able to think or function.
I would make these excessive to-do lists of things to look up on the internet
during a year in college I did not have internet at home.

The internet became ingrained within my thought processes.
Scary.
But true.

Now I get supersaturated and I can purposefully isolate myself from the internet.
I have control of temporary detachment.

Not only other human beings become a part of your environment...

It's almost as if you slow down and track your thoughts,
that you are projecting your thoughts... perhaps to yourself... but perhaps to someone else.
I am no longer communing with a computer, but with a vision of a human face, mediated through a computer.
A channeling of mental energy. So much energy so quickly.
Your mind establishes this mechanism of a pleasure center being stimulated
upon site and conversation.

And then the potential to break off all these strings and layers of time?
Your mind hits a wall?
It's a state of chaos.
Investing energy and thoughts projected in a particular projection
And then hitting a wall and not being able to project this energy to this entity anymore?
Oh, agony!
It reminds me of The Green Mile,
all the demons flying out of the giant African American prisoners' mouth.

Your mind starts to layer another human (like a place, Santa Barbara, like a technology, internet) with this spider web of cognitive maps of understanding and interactivity, it's so bizarre... Gruesome too. Like the Alien wrapping human bodies with spider-like silk just to implant eggs inside them so baby Aliens can grow up in them. But I am only visualizing the wrapping parts. No parasites here. Just mutualism.

And the spider web grows out in space the more in time you interact.
And I guess that also represents how I felt when I gained Talei and lost Talei back to China.
Everyday we would both work hard and at the end of the day we would jog together, have fun,
make dinner, talk, watch movies sometime. A pleasure center stimulated.
Then she's gone. And your mind re-prioritizes everything. Not to mention withdrawal.
All the strings of our experiences and places we visited detached.

The spider web detracted, and all became diffuse. Scattered.

My dad said that Talei was my "soulmate." I told her everything, and from some to great degree, she understood. Despite our such disparate backgrounds, we come to the same conclusions. Through the help of Talei, I was able to write my Question Reality manuscript. And NO, I am not "gay" though she did challenge me to the thought. Ha ha. I know for SURE. I have traced my thought patterns and have scientifically verified no mental projections onto other females. EWWW!

The internet became ingrained within my thought processes. To think that a human could become ingrained within my own thought processes? Scary. Happens all the time though. Multiple humans. But I mean one? Well, I do admit when my dad goes to a conference and is gone for a week I go through withdrawal because I talk to him all the time. Shxt. I'm mentallly addicted to my dad. I guess that's a neurologically objective, yet humanly harsh way of saying that's "father-daughter love". Whatever.

But I am thankful though. To think that another human could re-organize my entire mind and present a sense of order and purpose and make Reality seem a lot less daunting and more manageable.... Just to keep me in once piece? Talk about addiction.

I think addictions are dangerous if you are not aware you are addicted. Addictions become "healthy" (like my jogging addiction) as long as you know--are conscious of--becoming addicted.

If I go through loss, it will be a great withdrawal.
It would be unbearable. I experienced the chaos of it today. I can't deal with that right now.

I wish I knew how I could externalize my "counted blessings" and "thankfulness for my addictions"
(no, I'm not religious!) without feeling humiliated again from my external manifestations of my internal cancerous symbolisms.

That is to be another experiment.

192. Poem "I-Found-It-Made-It-Not-Bought-It" Seashell



I made this for a friend's birthday, but I never had a chance to turn it in.
You may think this is a very ordinary seashell, but it’s not. It's a special seashell.
It's a "I-Found-it-Made-it-Not-Bought-it" seashell.
Which implies exactly what I did.
And the whole point is that I took the time and effort to scan the beaches,
find the seashell with a special hole (drilled by an Octopus, consequentially a very good jewelry-smith), and went home to polish and string it, and put it on this paper.
And I took extra steps of Self-Creation that may add extra value
besides buying a Hallmark card and a a box with a rock in it, made by somebodies else.
Though this seashell was manufactured by evolution and ecology,
and this string was indeed manufactured by humans from elements of the Earth
manipulated through geological and organic processes,
at least I took in part some degree of manipulation and processing,
before it came to your hands.
So I really hope there is extra meaning in this partial self-creation,
and I hope you really enjoy your "I-Found-it-Made-it-Not-Bought-It" seashell!!!

191. A Previous Description of My Blog, Now Replaced by "Something Better"

Old Blog Description: "This is a multi-media blog of intellectual entertainment [and psychological dissipation of intense frustration for the author] on the absurdly disturbing state of the overall human-environmental condition."

New Blog Description: "A philosophically-comical, multi-media exploration of the Discrepancy [Mismatch] Between Biological/Evolutionary/Ecological Reality and the Reality Created by Human Society."

190. A Few Major Things That Are Not Accounted For in Our Economy

1. Mothers. (Economy values "lack" of motherly behavior because then kids get raised by Hollywood television and plastic toys instead) (And I don't think tax breaks on kids are good enough).

2. Indirect and Diffuse Human-Environmental Impacts (e.g. California fishing communities, fishermen are hit hard with regulations, such as constraints in fishing, because they directly fish and sell marine resources, but other contributors to altered ecosystems, like land-based human activities (pesticides, agricultural run-off) are not getting heavily hit, though they are greatly contributing to negative shifts in coastal ecosystems.

3. Human health, physical and mental. Maintained through change of behavior and change of environment. Human physical and mental health are only valued by the cheap-fix product-based solutions to "solve" them, more so place addictive bandaids on, but there is no value in individual reflection and behavioral/environmental change that would allow one to survive in sanity without necessarily mediated through some product.

4. Change. Change is not accounted for in the economy. Anything newly created (whether an idea/discovery or an invention) is at first unaccounted for in the economy but it is ultimately the "last frontier," whether it's the Wild West or New Worlds in the mind, though at first is economically unaccounted for (but slowly incorporated over time), is ultimately what keeps the economy floating and evolving... and still staying in one piece!

I am sure there are a whole bunch of other major things not accounted for in our economy, and I for one am not ready to put a price tag on the atmosphere, because that is just cliche global warming bullshxt on the news. I at the moment am purposefully trying to avoid Red Herrings.

Sunday, May 11, 2008

189. Biologically Incorrect Cartoon "Happy Earth Orbit Around the Sun" / Size-Space-Time Relations



205. Artwork Piece Done by Housemate / Neighbor Anonymous in Denial


Not that I could provide too much advice, but I found the artwork to be simplifying and intriguing.

206. Biologically Incorrect Cartoon, "Inside Planet NeuroReptilia" May 15, 2008


If you don't get it, all the better. Those who think Triune Brain will understand.

Friday, May 09, 2008

184. Science Fiction Story Proposal, "The Great Butterfly Effect," and the Dawn of "Subconcious Eco-terrorism"


It's a four-page document. Please visit the whole proposal! Click on link below!

183. Short Story "Venturing Into Uncharted Emotional Landscapes" by Anonymous in Denial


Five-page short story cranked out this morning. Mostly for helping focus and clear thoughts. Documentation purposes, to say in the least. Not written by me, but by Anonymous in Denial. A close association of mine. Cool name!

Whatever happens, she is now mentally prepared!

Thursday, May 08, 2008

182. Song / Poem Called Beautiful Boy, by Anonymous in Denial

Please see full pdf file document (includes "Music Notes") at

http://stokastika2.googlepages.com/beautifulboy.pdf

Monday, May 05, 2008

180.Julie Ekstrom's Tough Morning Crowd for her Ph.D. Dissertation






It is not that Julie's audience for her dissertation was particularly tough. It is just that it was a very serious ambiance to the whole occassion, from Julie's formal, professional talk--though she always has this very positive, upbeat aspect of her presentation!--and it was a cloudy, early Monday morning (Cinco de Mayo, it happened to be). I am not even sure if people were truly ready to "grasp" the notion of the "weekday" yet. I even was nervous, to even think a powerhouse committee of five was in the room--from Dr. Oran Young to Dr. Bonnie McCay (mispelled?) to Dr. Steve Gaines to a couple of other people I don't know so well. Just from that, I shuddered. I also was kind of overwhelmed because I knew quite a few people there who attended.

Coffee and pasties I am sure cheered everyone up. The room was very dark, but everything was very professional. Very, very professional. In some ways good, but in some ways tragic. I think creating a cartoon was a very pschologically relieving thing for me to do. And a light-hearted thing to do for quite a few other people.

179. Ph.D Dissertation of the Inspirational Julie Ekstrom in Ecosystem-Based Management Along the California Current





Today was indeed a special day! I was able to witness the Ph.D. dissertation defense of Julie Ekstrom, my roommate, who is about to move out of the house (boo hoo) and move on to Stanford! She (and my housemates) has helped me in so many ways, from letting me live in a house with $600 rent+utilities (with my own room) to all things academic. Julie, who's advisor is Dr. Oran Young (also my new advisor!), investigates the human dimensions of environmental change, which ventures into the realm of governance, institutions (rule systems), organizations... and now... environmental media (which I'll be focusing on). Julie has worked on the idea of mismatch / fragmentation between non-human ecosystem structure and human management systems. The beauty of her dissertation (for me at least), is that her frame of reference is ecosystem-based management, in which humans are INCLUDED. They are a part of the system of study. Therefore we must systematically investigate human structures and how they influence and interact with non-human ecological factors. So, I decided to emphasize this theme in the cartoon above, which I drew during her hour-long session of talk + question/answer session. I gave Julie pigtails though she had a ponytail primarily because of the complexities of drawing an aesthetic ponytail on an allometrically distorted cartoon bobblehead human.

The other wonderful component of this dissertation is that Julie tackled a dead-on USEFUL Ph.D. question, and through a series of interviews and "ground-truthing," she tried to adjust her law text-mining tool such that it can be user friendly to people who deal with ocean management and environmental law in general. Then again, Julie also mentioned the notion of discrepancy between "data" and "reality." Her parallel example was analyzing data from low-resolution satellites versus being on the ground to verify what vegetation or structures were present. Her text-mining tool doesn't show ALL pertinent information, but is a superb, conceptual starting point.

Drawing this cartoon was the least I could do for all of Julie's help! It was indeed an intense, serious session between Julie and the audience, and I thought this whole gig needed something light-hearted and environmental-media-ish. I also had two versions of the cartoon, one without marine invertebrates and one with marine invertebrates. After all, her case study was on ocean acidification, which affects the patterns of invertebrate calcification--overall shell formation.

Julie's work has so much potential, I can't wait to see future work blossom.

I decided to give Julie and Dan (fiance!) the original drawing, and I just have nice digital copies on my computer. Dan and Julie's father liked the cartoon, and there was mandate to have the image framed!